Saturday, September 29, 2007
The Best Convention Ever
Monday, September 24, 2007
Fall into Reading
Wednesday, September 19, 2007
Is There Anything Exciting in Dallas?
Saturday, September 15, 2007
Are Christian Bookstores Necessary?
Saturday, September 8, 2007
Dynamic Characters by Nancy Kress
When I first started the introduction, I had a hard time getting into the book. Maybe because I sat in a gymnasium full of kids and parents, with my six-year-old yelling, "Look at me, Mommy!" every sixteen seconds. Or maybe I needed to jump right into the good stuff. Whatever the reason, I ditched the intro and went straight to chapter one. What I like most about the book is the vast amount of examples listed: she quotes from hundreds of books to successfully illustrating her points. It's fun to see bits of my favorite books embedded in the narrative.
In chapter 15, Kress includes a checklist (what she calls "the intelligence dossier") that helps you understand your characters more fully. I've always backed away from these types of checklists because they left me feeling like I've created something cardboard--and in
the end wasted a bunch of my time because I really didn't know my character any better after I filled out the form. But Kress's checklist differs because it's so HUGE and covers areas I'd never
thought of (what's the make, model, and year of my protagonist's vehicle, and where does he park it?). After filling out the checklist for one of my favorite characters, I realized how much I still needed to learn (read "make up") about my protagonist. I found it a useful tool, but it's so exhaustive, I couldn't use it for every character in my novels without a huge investment of my time and energies. I think I'd rather be writing.
The only real problem I have is that the chapter about naming characters is too short. It's an area that I spend a lot of time on when I first begin writing a novel. Choosing great names is
important, and I think 4.5 pages didn't cover the subject thoroughly. However, those 4.5 pages included excellent material--I just could have used more.
Kress's writing style is readable and entertaining, and I found myself taking lots of notes for future reference. I highly recommend this book.
-Sonja
Saturday, September 1, 2007
Dialects
dialects in their writing. And I wholeheartedly agree. Dialects slow
the reader down, trying to figure out what's being said. The minute
the reader slows down, you run the risk of losing their interest.
They'll stuff in a bookmark and reach for the tv remote. Unless it's
done correctly!
Marc McCutcheon, in his book Building Believable Characters, offers
two ways to intimate dialect without actually putting it into the text:
1. Announce that the speaker has a foreign accent, and leave it to
the readers' imagination to fill in the rest.
2. Drop in a foreign word every now and then (German "nein" or
Italian "passaporto") and the reader will get it. Use simple words
that most people will know and understand, and avoid constructing
entire sentences or phrases in foreign languages, especially if you
aren't familiar with the language. After all, you wouldn't want ot
make a grammatical error.
Interestingly, Mr. McCutcheon believes that dialect can be a "superb"
way of characterizing a speaker's dialogue, but that most
inexperienced writers overdo it way too often. He believes that "less
is more" and advises that authors only use it occasionally to remind
the reader that the speaker has an accent.
As a reader, I hate coming across huge portions of dialect. As a
writer, they're hard to pen. I tend to avoid them entirely.
-Sonja